So – as a follow up to the Fluxus activities we discuss
Kaprow’s rules of thumb for happenings. In the past I have set a Happening in
motion with a set of instructions for students left in the room. I had
deliberately taken my self out of the process but sort of hovered unseen at the
edges to watch them complete the actions. I did not feel the timing was right
to do that to this class at this point in the term. We are all kind of still getting
to know each other. I suspect that is because it has really been hit or miss in
terms of activities at the start of class. I need to make sure they have
activities to do over the next three classes. So – instead of me mapping the
Happening activities I broke the class into four groups – that became three
groups due to absences. Their task was to create an activity using Kaprow’s
rules. The class then would execute these activities one after another. I think
it was less successful than one person mapping it out since there was very
little structure between the elements. Not that they didn’t cohere in some way,
but certainly more random. Since moving locals was part of the process this
gave us a chance to interact with others on campus – which is always the fun
part. Behavior is conditioned in interesting ways and then encounters something
unique. My favorite part was us all standing on the bridge holding our hands in
a tunnel as someone crossed through the space and we screamed. Definitely not
the every day. So – to the list of terms we added ritual – which can be such a
powerful performative tool, the everyday, and group dynamics. I keep trying to
remind the students that the context of the course is being generated by these
activities and documented in this growing list.
Underneath it all the one thing that is nagging at me is how
I deal with setting this stuff in motion. The performance art class has a much
different vibe from the other project classes largely because it works to
obliterate the line between life and art. Gen Art did this also – but almost in
a cool detached way. This one runs right out the door into the world shouting
at the top of its lungs. An interesting dynamic, but one that is scary as hell
to be responsible for. I’m glad that the group who decided to engage campus
police changed its mind. Some times life and art collide, sometimes its really
just life. I think on Baudrillard’s comment that a fake hold up looks a lot
like a real one. Teaching this as a seminar class last time none of this bothered me. Hmm. Gotta wonder about that for a bit.
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